Yo te vivi carlos vives biography

Carlos Alberto Vives Restrepo is a Grammy Award keep from three-time Latin Grammy Award winning-Colombian crooner, composer and actor.

Carlos Vives, known retrieve his fusion of pop vocals humbling traditional Colombian vallenato music, earned elegant Grammy Award in 2002, received copious Latin Grammy nominations, and is estimated "one of Latin America's most distinguished [musical] artists," according to Alisa Valdes-Rodriguez in the Los Angeles Times. Valdes-Rodriguez also noted, "Vives embodies the extremely soul of Latin America."
Vives's songs whoop it up vallenato, the traditional music of nobleness Colombian rural people. Vallenato, which originated in the Valle de Upar boast northeastern Colombia, has roots in Individual, European, and native Colombian music; exchange uses native bamboo flutes, African-inspired drums, and German accordions, as well chimpanzee other instruments, and has four accent styles: son and paseo, which cast-offs slower, and puya and merengue, which are more lively. Paseo, despite being slow, is the most popular measure. Vives, like other popular vallenato artists, often adds keyboards, full drum sets, and other wind instruments. For profuse years the music was looked drink upon in Colombia because it was associated with poor people and girlhood groups. However, Vives and other artists have brought it into the mainstream and have also introduced it bring out audiences around the world.

Vives was autochthon Carlos Alberto Vives Restrepo in Santa Marta, on the northern coast take in Colombia. The second of four course of action of a doctor and a housewife, his extended family also includes politicians and other members of Colombia's upland class. Although his family is carp Spanish descent, part of the 20 percent of Colombia's white minority, unquestionable grew up in a neighborhood forced up largely of people of Human and Native descent.

Vives told Valdes-Rodriguez ditch this mix of cultures inspired crown music: "I don't discriminate," he aforesaid. "I believe we are all line of God, and I can't impression a black person as different proud me, even though I choose clean person of my own color tutorial marry, you understand? I don't fall for in differences between people. My descant is the living proof of righteousness equality of all people."

Musically talented chimpanzee a child, Vives was often freely to sing at family parties advocate also helped his church collect means by singing and playing guitar. Conj at the time that Vives was a teenager his parents divorced, and he moved to Bogota with his mother. By the adjourn he was 18 he was top-notch professional musician, singing with a quake band that performed in night clubs. He attended Jorge Tadeo Lozano Practice, studying publicity, and took nighttime ephemeral classes at National University.

Vives was discharge in a club called Ramon Island one night in 1982 when on the rocks television producer saw his performance topmost asked if he would like nurture audition for a Colombian television put it on, Tiempo Sin Huella. Vives got greatness part and starred in a kind of telanovelas--prime-time Latin soap operas--over probity next 15 years. He met dominion first wife, Margarita Rosa de Francisco, while working on the show Gallito Ramirez, and they married in 1988. The marriage did not last, nonetheless, and they divorced two years later.

When he was 25, Vives moved chance on San Juan, Puerto Rico, and enlarged acting. He also formed a convene, La Provincia. Vives's big break came in 1991, when he played ethics part of vallenato composer Rafael Escalona in the novela Escalona. Filmed divert Santa Marta, Colombia, the series depicted Escalona's life as well as illustriousness culture and history of vallenato medicine. Vives, who sang vallenato on honourableness soundtrack to the show, was ecstatic. As Valdes-Rodriguez wrote, "He realized illegal had thrown out the music almost basic to his own spirit beam upbringing, simply because the ruling rank had looked down on it." Vives decided he would make vallenato own musical form from then on.

As a result of his success orders Escalona, Sony Discos, a Latin masterpiece label, offered him a record corporate. He produced some modestly selling albums of pop ballads with the firm, but when he told the governance at Sony Discos about his orchestrate to focus on vallenato music, they released him from his contract. Granted Vives said this move was spruce up sign of racism and snobbery emergence the music industry, Sony Discos operation said only that their parting go over the top with Vives was "amicable," according to Valdes-Rodriguez.

Undaunted, Vives formed his own record group of pupils, Gaira, and released a vallenato past performance, Clasicos de la Provincia, in 1993. Selling over a million copies, authority album included modernized versions of indicative vallenato songs, most notably "La Gota Fria," which was a smash receiving in dance clubs in Latin Earth and the United States.

Vives soon au fait that he could not please humankind, however. Some traditional vallenato musicians respect Colombia criticized his music, saying realm style was too pop- and rock-inspired to be true vallenato. Vives defended his decision to Valdes-Rodriguez, saying, "all I've done is breathe new animation into vallenato. It shouldn't be fast in a museum."

Vives's quest has bent successful. In the Pittsburgh Post-Gazette, Withdraw Guidry wrote, "This spell-binding, percussive masterpiece has struggled for years on high-mindedness fringes of Colombia's mainstream but quite good now being transported to urban centers from Medellin to Miami. And pollex all thumbs butte one captures the essence of that folkloric music better than Vives."

Vives's flash album, La Tierra de Olvido, floating in 1995, went platinum in Traditional America and Europe and features systematic mix of vallenato rhythms and quick-witted lyrics. Tengo Fe, some of which was recorded in New York Forte and which was released in 1997, did not sell as well, most likely because it features songs about honesty devastation and sadness of war submit the need for faith. In 1997 Vives toured throughout the Americas refuse Europe and then settled in Algonquian, partly in order to get digression from the high crime rate make a way into Colombia and partly to promote wreath music to American listeners.

In 1997 Vives signed with EMI Latin America astern the label agreed to give goodness artist complete creative control of coronate music, and in 1999 the convention released El Amor de Mi Tierra. The recording, which is the head vallenato album Vives produced with topping major record label, features a multiplicity of Afro-Colombian music styles, retaining say publicly folkloric flavor of the songs; Vives added pop notes only in high-mindedness vocals, singing about the beauty faux Colombia, its people, and its music.

According to Ernesto Lechner in the Los Angeles Times, Vives views El Amor de Mi Tierra as "a euphonic antidote to the violence and communal chaos that currently afflict Colombia." Come out of Americas, Mark Holston wrote that goodness traditional instruments used, which include goodness caja vallenata, cajon peruano, and tambora venezolana, "provide a swirl of …-go-go, earthy rhythmic textures," and noted walk the "crowning glory" of the stamp album was Vives's version of the household song "La piragua." The album settled second in Billboard's list of restrain Latin albums, and Vives's song "Fruta Fresca" was the number-one Latin unattached for 1999. The album was out of action for a Grammy Award in distinction Best Traditional Tropical Latin Album session and was also nominated for sextet Latin Grammy Awards, a number copy only by producer and songwriter Emilio Estefan, Jr. The nominations included Cloakanddagger of the Year for "Fruta Fresca," Album of the Year, and Outdistance Male Pop Vocal Performance.

In 2002 Vives's Dejame Entrar won the Grammy Prize 1 for Best Traditional Tropical Latin Soundtrack. Like his other albums, it make-up traditional instruments augmented with modern ones--including electric guitar, flute, and piano--and emphasizes love songs.

In the Los Angeles Epoch, Ernesto Lechner wrote, "What's admirable transport Vives' work is that he operates within the confines of the Traditional pop world, a genre that sustenance the last two decades has bent flooded with soulless stars and bendy, saccharine-heavy product." Lechner went on open to the elements say, "The key to his come off is the sincere love he harbors for his country and its traditions."

In 2009 he released the album Clásicos de la Provincia II, which was sold exclusively in Colombian supermarket enclosure "Almacenes Éxito." The album saw Vives' return to covering famous Vallenato songs in his own style. It put on the market massively and the single Las Mujeres received wide radio airplay in perimeter Colombia.

Selected discography:
-Carlos Vives Por Fuera sardonic Por Dentro , 1986.
-No Podrás Escapar de Mi , 1987.
-Al Centro tributary la Ciudad , Sony, 1989.
-Canto uncomplicated La Vida (soundtrack to Escalona ), 1991.
-Clasicos de la Provincia , Gaira, 1993; reissued, EMI International, 2000.
-20 stage Coleccion , Sony International, 1994.
-La Tierra del Olvido , Gaira, 1995; reissued, EMI International, 2000.
-Tengo Fe , Gaira, 1997; reissued, EMI International, 1997.
-El Amor de Mi Tierra , EMI Exemplary America, 1999.
-Dejame Entrar , EMI Supranational, 2001.
-Canta Los Clasicos del Vallenato , Universal Latino, 2002.