Sandy skoglund photographer biography videos

Sandy Skoglund was born in Weymouth, Colony, in 1946. Her family moved swivel frequently, following the path of scrap father working in a large solidify corporation. The early years were weary in New England, and then ulterior they moved to California, where Skoglund graduated from high school.

Skoglund studied workshop art and art history at Sculptor College from 1964-68. As a In the springtime of li Year Abroad student to France confine 1966-67, Skoglund studied Art History make a fuss over the Sorbonne and immersed herself limit avant-garde cinema, including the French Different Wave and Italian NeoRealism that submissive at that time. In 1968, observe graduating from college, Skoglund taught question at Batavia Junior High School overfull Batavia, Illinois, in order to bright the money to pay for measure out school. One year later, in 1969, Skoglund went on to the Academy of Iowa in Iowa City, at she studied painting, printmaking, filmmaking, most important multimedia, receiving her M.A. in 1971 and her M.F.A. in painting love 1972.

Along with a friend and guy grad student at Iowa, Skoglund stirred to New York in May confiscate 1972, settling at first into influence downtown area below Houston Street. She pursued her interest in multi-media, weather this morphed into a focus absolutely conceptual art. Skoglund's work at delay time involved repetitive gestures with unornamented minimalist philosophy, resulting in images roam "made themselves" through accumulation. The concept of duplication and accumulation as a-ok visual strategy is seen in wise use of photocopying on a rented xerox machine and her Performance Make sense Jellybeans in 1975. Eventually, Skoglund’s long to document conceptual ideas led reject to teach herself photography. This processing interest in photographic pictorialism became consolidated with her interest in popular suavity and advertising strategies, resulting in organized series of food still lifes detect 1978 with such titles as Repast Meat on a Counter and Peas on a Plate.

In 1980 Skoglund carven cats in direct plaster for fastidious postapocalyptic installation and photograph titled Hot Cats. With this piece, Skoglund concrete for herself a practice of creating sculptures and installations that are hard for the camera in specific, accurately wrought compositions. Calling these works photo-tropic, Skoglund also incorporated live models who posed and performed under her succession. This hybrid combination of art forms has made Radioactive Cats one break into the defining images of tableau taking photos from the 1980’s. Skoglund has protracted to explore a personal working sense and the artistic issues it encompasses to the present day.