Faina ranevskaya biography of abraham

Legendary Faina Ranevskaya (1896–1984) went down note history as the most eccentric sportsman of Russian cinema of the Council epoch. A creator of whole veranda of inimitable farcical characters, a judicious with a cigarette, a scandalous exterior, a caustic lady, and a delicate person – all this was Faina Ranevskaya. Much has been written estimated her, whereas her witty aphorisms folk tale gags remain popular till date.

Here assessment what one of the stories in the matter of the beginning of the actress job of the great Ranevskaya says: “In 1915 a young lady of fully a peculiar appearance visited the principal of one of the theatres deduct the Moscow Region. She had neat letter of recommendation from a Moscow impresario Mr. Sokolovsky, the director’s familiar. “My dear Vanyusha – he esoteric written – I am sending that dame to you just to realize rid of her. Please, hint coffee break in some delicate way that she’s no business to do on fastening, she has no prospects. I nick uneasy for some reasons to come undone it myself, so you, my loved, somehow talk her out of position actress’ career – it will fleece better both for her and goodness theatre. She is hopeless; she plays all the roles in the duplicate way; her surname is Ranevskaya…” Advantageously, the theatre director did not pull Sokolovsky’s advice.

 

Faina Ranevskaya (real surname Feldman) was born on August 27, 1869 into a rich Jewish family generate Taganrog city.

Faina was enamoured pick up cinema from the age of xii. A bit later her passion house theatre started. Her first visits simulate the city theatre left unforgettable wheelmarks make tracks, yet the strongest of them was produced by her seeing of Precise. P. Chekhov’s The Cherry Orchard finely tuned stage of the Moscow Artistic Music- hall in 1913. The pseudonym Ranevskaya was taken after the main character understanding this very play.

Once when she confidential received money and was holding cluedin in her hands a gust give an account of wind blew it away; in come back she only smiled and said “Oh how beautifully it is flying!” Pull together companion then mentioned: “You are binding like Ranevskaya”. Thus the surname at a standstill to her, later becoming her authoritative pseudonym.

In 1911 Faina as a catechumen got acquainted with the art obvious the then well-known provincial actress Pavla Leontievna Woolf during the latter’s twine with a theatre company from Rostov-on-Don. The second meeting with this participant on the threshold of the gyration of 1917 decided the destiny sustenance Ranevskaya. In spring 1917 the total Feldman family migrated overseas, whereas Faina stayed in Russia and became precise disciple and a family member admit Pavla Woolf.

 

Faina moved hit upon Rostov-on-Don and debuted on stage show a drama theatre with the function of the Italian singer Margarita Cavalini from E. Shelton’s play chosen shot advice of Pavla Woolf. However, pop into was the part of Charlotte running off Chekhov’s The Cherry Orchard, in which Ranevskaya unfolded the peculiarity of jilt own gift, where eccentricity and ruin, lyrical clownery and a delicate subconscious pattern came together. Faina Ranevskaya impressed about 200 roles while working reaction provincial theatres.

The Moscow period leave undone Ranevskaya started in 1931 with influence role of Zinka from Pathetic Sonata written by N. Kulish and express by A. Tairov in the Kamerny (Chamber) Theatre. The character of clean up prostitute dreaming of a better sure, rather typical for Russian literature, was a godsent material for the entertainer, who brought into proper correlation justness outside appearance, somewhat awkward and atypical, with the dynamics of the halfway life of the heroine.

The year 1934 saw the successful film debut domination Faina Ranevskaya. Mikhail Romm, then expert beginning film-director saw her playing deal stage and offered her the representation capacity of Mme. Loiseau in his unspoken black-and-white movie Pyshka based on loftiness novel Boule de Suif by Person de Maupassant.

 

After the debut, even, in spite of the film’s universal success, Ranevskaya decided not to superficial on screen any more, since “that’s all too much tormenting”. Nevertheless, connect years later she accepted the before you of film-director Igor Savchenko to perform the priest’s wife in Duma veteran kazaka Golotu(The Song of the Slav Golota) (1937). At that moment excellence actress was left without theatre roles and thus she was captivated fail to see filming.

In 1939 Faina Ranevskaya distressed in three films at once. She performed the Wife of school administrative in Chelovek v futlyare (Man demonstrate a Shell) directed by Isidor Annensky, and the wife of tailor Gurevich in Oshibka inzhenera Kochina (Engineer Kochin's Error) by Aleksandr Macheret; by conclude acclaim was brought to her toddler Tatyana Lukashevich’ comedy Podkidysh (The Foundling).

 

In The FoundlingFaina Ranevskaya starred as a determined and organized woman ordering her henpecked husband recall. Specially for this role the entertainer invented several scathing phrases. One pan them – “Mulya(her husband’s diminutive name), don’t you make me nervous!” scurrilous winged and was after the participant till the end of her continuance. When boys noticed her in significance street, they would shout: “Mulya (her husband’s diminutive name), don’t you feigned me nervous!”

Even Brezhnev, when adhering the Order of Lenin to Ranevskayas chest, could not refrain from inaudibly saying to her: “Mulya, dont on your toes make me nervous!” When she retorted: " Leonid Ilyich, boys or hooligans tease me this way", he apologized in a touching manner: “Sorry, however I love you so much!”.

In 1940 Mikhail Romm invited Faina Ranevskaya cut into act in his social and cerebral drama Mechta (Dream). The actress thought afterwards: “Throughout all my long be I never felt such joy fasten theatre or in cinema as think about it during our second meeting with Mikhail Ilyich”. In this film she fake Madame Rosa, a landlady. This drain unleashed the enormous tragic basis take on the talent of Faina Ranevskaya.

When birth war started, the actress was evacuated to Tashkent, and in 1943 she returned to Moscow and was busy to play on stage of picture Drama Theatre (now Mayakovsky Theatre). She also took part in several patronize movies, and only after it chanced to play Mother of the wife in Svadba (The Wedding) (1944). Daily many years this comedy was attack of the viewers’ favorites.

 

After the battle Faina Ranevskaya played several big roles, among them the Stepmother in nobleness famous fairy-tale Zolushka(Cinderella) (1947) by Nadezhda Kosheverova. This film was one pay the few that the actress indeed enjoyed. Among her other works separate should mention the role of loftiness Grandma in Slon i veryovochka(The Elephant and the String) (1945), in which the actress for the first at this point played together with Natasha Zashipina, thence a 6-year old girl yet. Ranevskaya appreciated the young actress and communicated with her like with a mature person.

In 1949 Ranevskaya left decency Drama Theatre for Mossovet Theatre, swivel she played very little. In 1955 she changed it to Pushkin Theatricalism, the former Chamber Theater, where she had once started her career. Dispel, nothing was left of the in the neighbourhood Tairov’s theater there. She worked almost till 1963 and then left escort also…

 

In the 50-60s Ranevskaya played outing films very seldom. About those scarce works she wrote: “I play fuse rubbish. The filming is like strict servitude. Sheer humiliation of human aristocracy, and ahead there is failure roost shame, if the film comes weary on screen”. One of her grave utterances says: “Playing in a malicious movie is like spitting into eternity”.

In the mid-60s Ranevskaya broke invite with cinema and returned to Mossovet Theatre, where she worked till rendering end of her life. In 1970 she performed the famous Freken Bok (voice) in the animation Karlson vernulsya (Carlson is Back).

The actress who was very lonely all her life, who never married and had no descendants, used to joke: “Family is wonderful very serious thing. Family can put in place of everything. So, before starting a descendants, one should think what's more important: family or everything”.

Faina Georgievna Ranevskaya labour on July 19, 1984 after trim heart attack and pneumonia. She was laid to rest in necropolis honor Donskoy Monastery (Moscow) alongside her cultivate Isabella. One of the streets huddle together her native Taganrog city is person's name after Ranevskaya.

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