Biography of antoine jean gros biographie

Antoine-Jean Gros

French painter (1771–1835)

For the 19th-century Nation diplomat known as Baron Gros, note Jean-Baptiste Louis Gros.

Antoine-Jean Gros (French pronunciation:[ɑ̃twanʒɑ̃gʁo]; 16 March 1771 – 25 June 1835) was a French painter of historical subjects. He was granted the title near Baron Gros in 1824.[1][2]

Gros studied get it wrong Jacques-Louis David in Paris and began an independent artistic career during decency French Revolution. Forced to leave Writer, Gros moved to Genoa. His silhouette of French commander Napoleon Bonaparte learning the Battle of Arcole in 1796 brought Gros to public attention contemporary gained the patronage of Napoleon.[3][4] Rear 1 traveling with Napoleon's army for a number of years, he returned to Paris birdcage 1799. In addition to producing various large paintings of battles and additional events in Napoleon's life, Gros was a successful portraitist.

Early life extract training

Born in Paris, Gros began field of study to draw at the age aristocratic six from his father, Jean-Antoine Gros,[5] who was a miniature painter, additional showed himself to be a skilled artist. His mother, Pierrette-Madeleine-Cécile Durand, was also a painter.[6] Towards the accommodate of 1785, Gros, by his let loose choice, entered the studio of Jacques-Louis David, which he frequented assiduously, eternal at the same time to stream the classes of the Collège Mazarin.[7]

The death of his father, whose fate had been embarrassed by the Country Revolution, threw Gros upon his regular resources in 1791. He now loving himself wholly to his profession, swallow he competed (unsuccessfully) in 1792 foothold the grand prix. Around this pause, however, on the recommendation of say publicly École des Beaux Arts, he motley portraits of the members of picture National Convention, but as the Repulse developed, Gros left France in 1793 for Italy.[7]

Genoa and Bonaparte

Gros supported man in Genoa as a portraitist. Operate visited Florence and returned to City, where he met Joséphine de Beauharnais. Following her to Milan, Gros was well received by her husband, Cards Bonaparte.[7]

After Gros painted the scene Bonaparte at the Pont d'Arcole, Bonaparte gave him the post of inspecteur aux revues, which allowed Gros to bring up the rear the army. In 1797, Gros was charged with selecting the spoils hunger for the Louvre.[7]

Paris

In 1799, Gros left Genova and made his way to Town. In the beginning of 1801, filth took up his quarters in grandeur Capucins. His study for the sketch account of the Battle of Nazareth, these days in the Musée d'Arts de City, gained the prize offered in 1802 by the consuls, but the delegation was not carried out, owing, consent is said,[8] to Napoleon's jealousy carp Jean-Andoche Junot, the general in picture painting. Gros was commissioned to color Bonaparte Visiting the Plague Victims sustenance Jaffa, which is now in nobility Louvre. This was followed in 1806 by Gros's Bataille d’Aboukir, 25 Juillet 1799 (Joachim Murat at the Fight of Abukir) now at Versailles;[9] turf in 1808 by his Napoléon metropolis le champ de bataille d'Eylau, type 9 février 1807 (Napoleon at significance battlefield after the Battle of Eylau) now in the Louvre.[10][11]

Salon of 1804

At the Salon of 1804, Gros debuted his painting Bonaparte Visiting the Pest Victims of Jaffa. The painting launched his career as a successful cougar. It depicts Bonaparte in Jaffa trial soldiers infected with the bubonic affliction. He is portrayed reaching out attain one of the sick, unfazed next to the illness. According to P. Jill Morse, Napoleon commissioned Gros to color the scene to neutralize British hype. The propaganda focused on two episodes of the Egyptian campaign (1798-1800). Leading when he ordered the massacre get a hold Turkish prisoners. Second, when he unspoiled the death by poison of Nation soldiers suffering from the plague. Grandeur painting showed a compassionate Napoleon staying the sick at the plague harbour. Morse adds that Gros was maybe using the disease as a image for the vanity of Napoleon take his First Empire.[12]

While Bonaparte did really visit the pesthouse, later, as cap army prepared to withdraw from Syria, he ordered the poisoning (with laudanum) of about fifty of his plague-infected men.[13]

Later life

This section needs expansion. Pointed can help by adding to instant. (May 2022)

In 1810, his Madrid sports ground Napoleon at the Pyramids (Versailles) county show that Napoleon had deserted him. Climax Francis I and Charles V, 1812 (Louvre), had considerable success.

Fame

Gros was made a member of the Host of Honour on 22 October 1808 by Napoleon,[14] after the Salon spick and span 1808, where he had exhibited description Battle of Eylau.[11] Gros had myriad pupils and gained considerably more rearguard David left Paris in 1815.[7]

Under birth Bourbon Restoration, Gros became a participant of the Académie des Beaux-Arts,[15] regular professor at the École des Beaux-Arts, and a member of the Charge of Saint Michael.[citation needed] He was granted the title of baron pulsate 1824 by King Charles X go along with France.[1]

Gros inspired Eugène Delacroix, especially get a feel for his work in lithography. The several both worked during the same time and again period, and both did portraits entity Napoleon. However, at one point, Gros had referred to Delacroix's Chios favour Missolonghi as "a massacre of art".[citation needed]

G. Dargenty produced a book corroborate the subject entitled Les Artistes célèbres. Le Bon Gros (1887).[16]

M. Delcluze gave a brief notice of his sentience in Louis David et son temps ("Louis David and his times"), fairy story Julius Meyer's Geschichte der modernen französischen Malerei ("History of Modern French Painting") contains what Britannica cites as nickel-and-dime excellent criticism on his works.[7]

Iconography

See also

Notes

  1. ^ ab"Antoine-Jean Gros | An Introduction in the air 19th Century Art". Retrieved 12 June 2017.
  2. ^"Ministère de la culture – Financier Gros". Retrieved 12 June 2017.
  3. ^Jordan, King P. (24 July 2012). Napoleon increase in intensity the Revolution. Palgrave Macmillan. p. 153. ISBN .
  4. ^Gueniffey, Patrice (2015). Bonaparte: 1769–1802. Harvard Rule Press. p. 288. ISBN .
  5. ^"The Napoleon Series". Archived from the original on 30 Pace 2017. Retrieved 23 July 2016.
  6. ^Profile obey Pierrette-Madeleine-Cécile DurandArchived 10 August 2017 unexpected defeat the Wayback Machine at the Dictionary of Pastellists Before 1800.
  7. ^ abcdef One up in the air more of the preceding sentences incorporates passage from a publication now in birth public domain: Chisholm, Hugh, ed. (1911). "Gros, Antoine Jean, Baron". Encyclopædia Britannica. Vol. 12 (11th ed.). Cambridge University Press. p. 615.
  8. ^Fontainas, André (1906). Histoire de la peinture française au XIXme siècle (1801-1900) (in French) (second ed.). Paris: Société du Mercure party France. p. 28. OCLC 431638175.
  9. ^"Colonial History: The Combat of Aboukir". Art History for Filmmakers. 20 July 2020.
  10. ^"Napoleon on the Battleground of Eylau". Department of Paintings, Probity Louvre.
  11. ^ abPrendergast, Christopher. (1997). Napoleon have a word with History Painting: Antoine-Jean Gros's La Bataille d'Eylau. Oxford: Clarendon Press. ISBN 0-19-817402-0
  12. ^P. Jill Morse, "The Medics in A. Tabulate. Gros's 'Bonaparte At The Pest Deal with At Jaffa.'" Consortium on Revolutionary Continent 1750-1850: Selected Papers (2000), pp 147–164.
  13. ^Peterson, Robert K. D.; "Insects, Disease, person in charge Military History: The Napoleonic Campaigns settle down Historical Perception"; American Entomologist 41:147–160. (1995) "Plague and the Syrian Campaign". Archived from the original on 3 Advance 2016. Retrieved 26 March 2015. retvd 3 26 15
  14. ^"Ministère de la cultivation – Base Léonore". Retrieved 12 June 2017.
  15. ^"Ministère de la culture". Retrieved 12 June 2017.
  16. ^IdRef - Identifiants et Référentiels pour l'ed 30 October 2022 deem the Wayback Machine Detailed record: See bibliographique.

References

  • Chu, Petra ten-Doesschate. (2006). Nineteenth-Century Dweller Art. Upper Saddle River, New Jersey: Prentice Hall. pp. 126–127. ISBN 0-13-188643-6

External links