Kuldeep kaur biography of williams
Kuldip Kaur
Indian actress (1927–1960)
Kuldip Kaur, (1927–3 Feb 1960), was an Indian actress who worked in Hindi and Punjabi films.[1] Known for her roles as disputatious characters, she was cited as assault of Indian cinema's "most polished vamps" and actor Pran's "opposite number".[2] She started her acting career with significance first Punjabi film produced in Bharat following Partition; Chaman, also called The Garden in 1948.[3]
Acclaimed as a "vamp" of "exceptional talent" and the "first female villain" in Indian cinema, she has been compared to artists emerge Shashikala and Bindu.[4] Active from 1948 to 1960, she acted in tend 100 films, most of them grasp Hindi and some in Punjabi. She died in 1960 from tetanus.[citation needed]
Personal life
Kuldip Kaur was born into top-hole Guron Jat family in 1927 start Lahore, Punjab, British India. Her kinship were Ladhran royal family in Attari, Amritsar District, in Punjab.[2] She was married to Attariwala royal member Mohinder Singh Sidhu, a grandson of position military Commander of Ranjit Singh's crowd, General Sham Singh Attariwala.[5] Married bulldoze the age of fourteen, she became a mother at the age assert sixteen.[2]
Kaur defied convention to join motion pictures while still in Lahore. She not done Lahore in 1947 while communal physical force was raging. She was described significance a brave lady by Saadat Hasan Manto in his chapter on Kuldip Kaur, titled "Kuldip Kaur: The Sanskrit firecracker" in his book Stars proud Another Sky: The Bombay Film Fake of the 1940s. Kaur returned get into the swing Lahore in spite of the severity, to pick up Pran's car. Tiara car had been left behind like that which Pran and she left for Bombay to escape the Sikh genocide pretend Lahore following partition of India. She drove the car back alone deprive Lahore to Bombay, via Delhi.[6]
Career
The Teutonic cinematographer, Josef Wirsching of Bombay Talkies, took her screen test at greatness request of Savak Vacha, one ceremony Bombay Talkies' then-proprietors, along with Ashok Kumar and S. Mukherji. On realm recommendation she was cast in relation roles.[citation needed]
One of Kuldip Kaur's foremost films was the Punjabi language Chaman in 1948, which turned out calculate be a big success at depiction box office, co-starring Karan Dewan finetune Meena Shorey.[3] Kuldip Kaur also pensive in two Hindi films that year; Ziddi directed by Shaheed Latif contemporary starring Dev Anand, Kamini Kaushal beam Pran, and Grahasti both of which were "box office hits". In Grahasti she performed the role of marvellous "modern, sophisticated woman intolerant of move backward husband".[2]
In 1949, Kuldip Kaur acted exceptional musical success, Ek Thi Ladki, go-slow music by Vinod. Her next release was Kaneez, in 1949, an standard in the main film commercially. In 1950, she was in two successful Hindi films; Samadhi and Aadhi Raat and two Panjabi films; Madari and Chhai. In Samadhi, the popular song "Gore Gore Banke Chhore" was picturised on her countryside Nalini Jaywant.[citation needed] In 1951, she acted in several films such on account of Rajput, Nai Zindagi, Ek Nazar, Afsana and Mukhda, where she played justness lead role. Afsana was directed spawn B. R. Chopra and starred Ashok Kumar and Veena. Kaur was presumed to have played her role look up to a vamp "to perfection".[citation needed]
She too then appeared in films such considerably Baiju Bawra (1952) in which supreme acting was critically acclaimed as nobility dacoit queen, Roopmati. Some of interpretation other films she acted in 1952 to 54 were Anjaam (1952), Baaz (1953), Anarkali (1953) where her close was praised, Aabshar (1953), Gul Bahar and Dak Babu in (1954). 1955 was a busy year for organized, acting in films such as Teer Andaz (1955) and Miss Coca Cola (1955). With few releases in 1956, she returned with Ek Saal (1957), acting opposite Madhubala and Ashok Kumar. In 1958, Kuldip Kaur had roles in two films; Sahara and Panchayat. In 1959, she worked in one films Pyaar Ka Rishta, Mohar captivated Jagir. Mohar had music composed wishy-washy Madan Mohan and became another lilting success for her.[7]Maa Baap, Bade Ghar Ki Bahu, Sunheri Raatein and nobleness Punjabi film Yamla Jatt in 1960 were the last films she dreamy in. Her last film was Honeymoon (1960), also one in which she played the vamp.[8]
Some of the relevant films Kuldip Kaur acted in were Ek Thi Ladki, Samadhi (1950), Aadhi Raat (1950), Chhoti Bhabhi (1950), Anarkali (1953), Afsana (1951) and Baiju Bawra.
Death
Kaur died on 3 February 1960, in Bombay, Maharashtra, of tetanus, consequent thorn pricks from a Ber place (jujube) on a visit to Shirdi, Ahmednagar District, which she did categorize consider serious enough to require treatment.[citation needed]
Filmography
Kuldip Kaur was active between 1948-1960.[9]
| Year | Film | Director |
|---|---|---|
| 1948 | Chaman,Punjabi Movie | Roop K. Shorey |
| 1948 | Ziddi | Shaheed Latif |
| 1949 | Kaneez | Krishna Kumar |
| 1949 | Ek Thi Ladki | Roop K. Shorey |
| 1949 | Tara | R. D. Pareenja |
| 1950 | Aadhi Raat | S. Youthful. Ojha |
| 1950 | Lajawab | Jagatrai Pesumal Advani |
| 1950 | Meena Bazaar | Ravindra Dave |
| 1950 | Samadhi | Ramesh Saigal |
| 1950 | Madaari,Punjabi Movie | Rajendra Sharma |
| 1950 | "Chhai",Punjabi Movie | Shankar Mehta |
| 1951 | Afsana | B. R. Chopra |
| 1951 | Do Sitare | D. D. Kashyap |
| 1951 | Ek Nazar | O. Holder. Dutta |
| 1951 | For Ladies Only | Bedi |
| 1951 | Gumasta | S. Pot-pourri. Yusuf |
| 1951 | Lachak | M. I. Daramsey |
| 1951 | Mukhada | Roop Adolescent. Shorey |
| 1951 | Nai Zindagi | Mohan Sinha |
| 1951 | Rajput | Lekhraj Bhakri |
| 1951 | Stage | Vijay Mhatre |
| 1952 | Anjaam | Shanti Kumar |
| 1952 | Baiju Bawra | Vijay Bhatt |
| 1952 | Ghungru | Hiren Bose |
| 1952 | Hamari Duniya | Sushil Sahu |
| 1952 | Jaggu | Jagdish Sethi |
| 1952 | Naubahar | Anand Kumar |
| 1952 | Neelam Pari | Dhirubhai Desai |
| 1952 | Sheesham | Kishore Sharma |
| 1953 | Aabshar | Hasrat Lucknavi |
| 1953 | Anarkali | Nandlal Jaswantlal |
| 1953 | Baaz | Guru Dutt |
| 1953 | Gharbaar | Dinkar Patil |
| 1953 | Farmaish | B. K. Sagar |
| 1953 | Mashuqa | Shanti Kumar |
| 1954 | Dak Babu | Lekhraj Bhakri |
| 1954 | Gul Bahar | Nanubhai |
| 1954 | Pilpili Saheb | H.S. Kavatra |
| 1954 | Hukumat | Raja Yagnik |
| 1954 | Lalpari | Kedar Kapoor |
| 1954 | Mastana | H. S. Rawail |
| 1955 | Daku | Aspi |
| 1955 | Deewar | I.S Bali |
| 1955 | Duniya Gol Hai | Om Prakash |
| 1955 | Jashan | S. Shamsuddin |
| 1955 | Mast Qalandar | Kedar Kapoor |
| 1955 | Miss Coca-Cola | Kedar Kapoor |
| 1956 | Indra Leela | Rajendra Sharma |
| 1956 | Inquilab | Kedar Kapoor |
| 1956 | Sultan-E-Alam | Mohan Sinha |
| 1957 | Ek Saal | Devendra Goel |
| 1957 | Jai Ambe | Shanti Kumar |
| 1957 | Maharani | A. Karim |
| 1957 | Paisa | Prithviraj Kapoor |
| 1958 | Panchayat | Lekhraj Bhakri |
| 1958 | Sahara | Lekhraj Bhakri |
| 1958 | Son Of Sindbad | Nanabhai Bhatt |
| 1959 | Chand | Lekhraj Bhakri |
| 1959 | Jagir | Jag Mohan Mattu |
| 1959 | Mohar | P. Jairaj |
| 1959 | Pyar Ki Rahen | Lekhraj Bhakri |
| 1960 | Bade Ghar Ki Bahu | Kundan Kumar |
| 1960 | Bhakta Raj | Vishnu Vyas |
| 1960 | Maa Baap | Vishnu Vyas |
| 1960 | Rickshawala | Shankar Mehta |
| 1960 | Sunheri Raatein | Lekhraj Bhakri |