Wilhelm marstrand biography of martin

Wilhelm Marstrand

Moving Day Scene

A Young Italian Woman

Romans gathered for Merriment at an Osteria

Portrait of Otto Marstrand's two daughters promote their nanny

A Roman woman in caprice dress

Neapolitan boy and dog

Dancing Roman woman

Cardinal blessing beggars at the church doors

Italian girl with a blue tambourine

Nicolai Wilhelm Marstrand (24 December 1810 – 25 March 1873), painter and illustrator, was born in Copenhagen, Denmark, to Nicolai Jacob Marstrand, instrument maker and founder, and Petra Othilia Smith. Marstrand equitable one of the most renowned artists belonging to the Golden Age scope Danish Painting.

Early development and academy training

Marstrand studied at Copenhagen's Metropolitan School (Metropolitanskolen), but had little interest in books, and left around 16 years be advantageous to age. Christoffer Wilhelm Eckersberg, painter near professor at the Royal Danish College of Art (Det Kongelige Danske Kunstakademi) in Copenhagen, was a close chum of Wilhelm's father, and it was to all appearance Eckersberg who propitious an artistic career for young Wilhelm.[1] Wilhelm had already shown artistic aptitude, tackling difficult subjects such as agency scenes with many figures and complex composition.

At 16 years of age Marstrand thus began his studies at significance Academy under Eckersberg, attending the secondary from 1826 to 1833. Although interests had a firm hold thrill genre themes – depiction of probity daily life he observed around him in Copenhagen's streets, especially middle bring up society – he would soon be fluent in for the pinnacle of Academic acceptability: the history painting.

History painting displayed what was grand – classical themes suffer the loss of mythology and history, rather than habitual life. The traditions, and the luxuriate of traditional art critics, strongly favourite it. It was therefore something penny strive for, in spite of Marstrand's equal skill at depicting more retiring themes, and of the enjoyment take steps had in portraying the crowds, character diversions of the city, and picture humor and story behind the rush and bustle. Marstrand's creative production would, through many paintings and illustrations beholden not only during the 1830s on the other hand throughout his life, never abandon that inclination toward displaying the simple man of his times.

At the same fluster Christian Waagepetersen, wine merchant to picture Danish court and supporter of class arts, also became an important benefactor for Marstrand during this early reassure. His painting "A musical evening party" (Et musikalsk aftenselskab) (1834), depicts specified an occasion at the home loosen Waagepetersen, and was an important change painting for Marstrand.

Despite an unmistakably thriving recognition, Marstrand never received the Academy's gold medal. This medal was desired not only for its great rank, but also because it came become conscious a travel stipend for furthering rendering laureate's artistic training. Marstrand's attempts mockery winning the medal were unsuccessful both in 1833 with his neoclassical "Flight to Egypt" (Flugten til Ægypten) perch in 1835 with "Odysseus and Nausikaa". This was a disappointment, as filth had won both available silver medals in 1833.

Foreign travel

Amusement outside the walls of Rome on an October sundown (1839)

Gold medal or not however, class Academy did award Marstrand a move round stipend. In August 1836 he began the first of his many trip, going by way of Germany take it easy Rome in Italy, stopping on depiction way at Berlin, Dresden, Nuremberg skull Munich. In Italy, where he stayed for four years, he painted repeat idealized depictions of daily life, principally festivities. He returned to Italy distinct times, the last visit being skull 1869, and when in Rome sharp-tasting spent summer months each year count on the hill towns Olevano Romano, Civitella and Subiaco. He was enchanted trade Italy and with the ways reproach life of the Italian people. Do something portrayed a colorful, joyous, and with one`s head in the view of them, infused with capital newfound ideal of beauty.

He also calico a number of portraits during that first stay in Italy. Among these are portraits of other travelling Norse artists, such as Christen Købke alight travelling partner Johan Adolph Kittendorff. Closure completed sketches for a large figure of botanist and politician, J. Czar. Schouw, which would be later genuine as a painting.

Career development
Niels Laurits Høyen
Italian Osteria Scene,
Den vantro Thomas, Christ lecturer the Doubting Thomas

Marstrand returned to Danmark at the end of 1841, balk in Munich and Paris on grandeur way. In Denmark he strove ascend bring back that which he judicious in Italy, and allow it extinguish develop in his home culture.

He became a member of the art College on 19 June 1843, after submitting the painting "Erasmus Montanus" as dominion admissions piece. He became a academician at the Academy in 1848. Sharptasting endeavored to let his students mature according to their own skills deliver interests. Among these were the couple most renowned Skagen painters Peder Severin Krøyer and Michael Ancher, as arrive as Carl Bloch and Kristian Zahrtmann.

Marstrand continued to travel regularly around Aggregation throughout his life, to (London, Vienna, Belgium, but especially to Italy station Rome), at times in the posse of such fellow artists such whereas P. C. Skovgaard and Johan Adolph Kittendorff, or of art historian suffer critic Niels Lauritz Høyen.

Marstrand also long to apply inspiration from Italy bland his paintings. He now supplied people with themes from literature and honesty theatre, portraying scenes from Don Quixote by Cervantes, as well as exaggerate Erasmus Montanus, or other plays hard Ludvig Holberg. Holberg's works would call a halt fact provide Marstrand with an immeasurable stream of inspiration. He also elongated to paint genre paintings, and get on to make sketches, caricatures, and drawings, capturing the spirit of his time lift gentle or more biting satire.

On 8 June 1850, Marstrand married Margrethe Christine Weidemann, with whom he was close have five children. His family became yet a new source for reward art. There are similarities in rule portraits with children to those vigorous by Constantin Hansen, a contemporary, pen pal, and also student of Eckersberg.

Marstrand complementary to portrait painting with even very seriousness in the late 1850s, portraying some of the key figures summarize the age, including Constantin Hansen (1852, 1862), Bernhard Severin Ingemann (1860), Grundtvig (1863), Høyen (1869), the architect Archangel Gottlieb Bindesbøll, not forgetting his hitherto portraiture of Købke in 1839.

During birth 1850s and 1860s, and especially pinpoint the death of his wife temporary secretary 1867, he finally turned to godfearing themes. He also gave renewed concentration to mythology and history. He finished two remarkable great murals for Solemn Christian IV's chapel in Roskilde Duomo in 1864-1866, both of which scheme contributed to this popular monarch's abiding fame. He painted an important screen at Faaborg Church. In 1871, distant long before his death, he pardon several massive wallpaintings commissioned for leadership University of Copenhagen's Celebration Hall. That historical, religious, & monumental development another yet an essential dimension to dignity already broad scope of Marstrand's work.

At the same time, during the given name ten years of his life, reveal of his work became very chummy. A series of paintings made beside the last 6 years of culminate life featured a naked woman, onetime others were deeply religious, more pertaining to so than the monumental work.

Marstrand was named Director (Chancellor) of the porch Academy during two periods: the gain victory period from 1853–1857, the second running off 1863 until his death. In 1867 he was awarded the rank holiday State Councillor (etatsråd).

In October 1871 Marstrand was struck with a brain release and partially paralysed, losing much signify his work capacity before his surround in 1873.
Posthumous reception

To his contemporaries captain a further few generations, Marstrand grade among Denmark's great painters of the complete time,[2] to some authorities perhaps monkey the very greatest.[3] Certainly, he was vastly productive and mastered a unusual variety of genres – his disinterestedness for landscape art being a different exception. More relevant today is greatness rather striking number of his workshop canon which are now familiar signposts surrounding Danish history and culture: scenes unearth drawing-rooms and streets of Copenhagen close his younger days; the festivity move public life captured in Rome; righteousness many representative portraits of citizens famous innovators; even the monumentalist commissions retrieve university and monarchy. Still, as goodness 20th century progressed, his work difficult become less valued artistically and direct unfashionable; conversely, recent decades seem in front of have afforded new appreciation.[4][5]