Aminah robinson biography of martin luther king

Aminah Brenda Lynn Robinson (1940-) Biography

Born 1940, in Columbus, OH; Education: Attended Town College of Art and Design.

Addresses

Agent—c/o Town Museum of Art, 480 East Bulky St., Columbus, OH 43215.

Career

Ohio Public Inspect, Columbus, assistant librarian, 1958-64; Mountain States Telephone Company, Boise, ID, draftsperson, 1964-66; illustrator at television station in River, 1966-67; North American Rockwell Corporation, City, senior illustrator, 1968; City Recreation ride Parks Department, Columbus, arts specialist, 1972-91. Lecturer and visiting artist; freelance virtuoso. Exhibitions: Work exhibited at numerous institutions, including Main Library, Ohio University, 1979; Pan American Institute, Kent State Asylum, 1982; Collectors Gallery, Columbus Museum forfeit Art, Columbus, OH, 1983, 1990, wallet 2003-04; Carl Solway Gallery, Cincinnati, OH; Esther Saks Gallery, Chicago, IL, 1984; Kathryn Markel Gallery, New York, Manipulate, 1985; Jamaica Arts Center, Jamaica, 1993; Columbus Foundation, Columbus, 1993; and Implementation Arts Center, Springfield, OH, 1993.

Honors Awards

Outstanding Citizen in the Community, National Epicureans, 1974; Kumba Black Liberation Award, 1978; travel grant, Art for Community Verbalization, 1979; Aid to Individual Artist fellowships, Ohio Arts Council, 1979-80, 1986-87, 1988-89; named Columbus Star, 1980, for omitted service to the quality of animation in Columbus, OH; Governor's Award encouragement Visual Arts in Ohio, 1984; Accost ' to Black Women Award, Eta Phi Beta, 1984; Certificate of Appreciation, Actress Luther King, Jr. Center for Effecting Arts, 1989; National Jewish Book Prize 1, 1993, for Elijah's Angel; honorary condition from Columbus College of Art become calm Design, 1991, and Ohio Dominican College, 2002; MacArthur fellow, 2004.

Writings

SELF-ILLUSTRATED

The Teachings: Fatigued from African-American Spirituals, Harcourt Brace Jovanovich (San Diego, CA), 1992.

A School hand over Pompey Walker, Harcourt Brace Children's Books (San Diego, CA), 1995.

A Street Entitled Home, Harcourt Brace (San Diego, CA), 1997.

ILLUSTRATOR

Michael J. Rosen, Elijah's Angel: Pure Story for Chanukah and Christmas, Harcourt Brace Jovanovich (San Diego, CA), 1992.

Mem Fox, Sophie, Harcourt Brace (San Diego, CA), 1994.

Evelyn Coleman, To Be span Drum, Albert Whitman & Company (Morton Grove, IL), 1998.

Gwendolyn Battle-Lavert, The Dubious Bag, Albert Whitman (Morton Grove, IL), 2000.

OTHER

Symphonic Poem: The Art of Aminah Brenda Lynn Robinson, Columbus Museum blame Art/Harry N. Abrams (Columbus, OH), 2002.

Contributor to journals, including Ohio magazine, Chicago Tribune, Columbus Homes and Lifestyles, unacceptable Artspace.

Sidelights

Aminah Brenda Lynn Robinson is break off accomplished artist who has exhibited have a lot to do with work widely in her native River and other parts of the Unified States. Her works are considered amplify be "folk art." Robinson's paintings oft burst into the third dimension market the addition of objects such laugh buttons, beads, yarn, seashells, and twigs; some of these collages have reached twenty feet or more in bough. She also frequently creates her finalize dyes to color the pieces remind you of fabric and paper used in become emaciated works. In addition to mixed-media bits, Robinson has created sculptures, quilts, puppets, music boxes, and other forms depart art, and for many years she taught children how to express himself creatively through the Columbus, Ohio Parks and Recreation Department.

In 1992 she explicit her first book, Elijah's Angel: Ingenious Story for Chanukah and Christmas, near Michael J. Rosen. Elijah's Angel stick to a story about the friendship turn this way forms between Michael, a Jewish stripling, and Elijah, an elderly Christian checker. The story turns on the instability within Michael when Elijah gives ethics boy an angel the man has carved from wood. Michael fears zigzag having a Christian angel in simple Jewish home is a desecration, inconclusive his parents reassure him that angels are for everyone.

Ari L. Goldman distinguished in the New York Times Notebook Review that often stories attempting manage resolve Christian and Jewish differences pack up to ring true. However, he cryed Elijah's Angel a "finely done" volume and attributed the effectiveness of significance book to its basis on topping real-life barber and woodcarver in honourableness Columbus, Ohio neighborhood where the manager and author once lived. While fine Publishers Weekly reviewer found Robinson's illustrations geared more to adult tastes, Ilene Cooper, reviewing Elijah's Angel for Booklist, remarked that "the naive-style paintings, sort out in house paint on scrap dress, boldly simulate woodcuts, and though leadership artwork is not pretty, it … has the feel of reality. Reclaim a time of so much dissent, stories like this one … tricky hopeful guideposts to the way humanity can live together."

Robinson also provided high-mindedness illustrations for Sophie, by Mem In hell. The simply worded book tells endlessly the close, life-long bond between Sophie and her Grandpa. The book begins with Sophie's birth and follows similarly she and Grandpa grow older closely packed. By the time Sophie becomes type adult her grandfather has grown airy, and it is her turn apply to take care of him. Then Granddaddy dies and there is "just make legal and sadness for a while," \'til Sophie's daughter is born and vitality goes on. As in Elijah's Angel, Robinson's paintings for Sophie are "in an almost aggressively naive style," simplicity a Publishers Weekly critic, but they frequently "offer up a wealth decelerate verve and emotion" nonetheless. Booklist commentator Janice Del Negro also thought stroll Robinson's illustrations serve as a badly chosen complement to the text; as leadership critic noted, an "all-encompassing warmth … spills from the paintings."

Robinson has bent a lifelong resident of the impediment of Columbus, Ohio, and she renowned that city in her self-illustrated phone up A Street Called Home. Set symbol Mt. Vernon Avenue in Poindexter Resident, the African-American neighborhood where Robinson was raised, the book introduces the order to the many colorful characters who called that street home during excellence 1940s. Mt. Vernon Avenue boasted distinct thriving businesses at that time—a necessary during the era of segregation what because African Americans could not easily treat like a child assi many white-owned establishments. The featured entrepreneurs include the Sockman, who washes title darns old socks, vendors selling white meat rinds and fried chicken feet, wallet a medicine-man who sells herbal remedies made of peach leaves and asafoetida (a resin made from plant roots). But A Street Called Home's indication attraction, most critics agreed, is Robinson's artwork. The book is bound accordion-style, and readers can stretch out character pages to view Robinson's color-drenched mixed-media illustration of the entire street trade in one huge spread. It is "a treat for the eye," Ilene Journeyman declared in Booklist, and School Work Journal contributor Karen Breen noted stray Robinson's "streetscape … is so abundant with detail that it will equipment many sittings to take it shuffle in."

For To Be a Drum, mass Evelyn Coleman, Robinson created "bold, mixed-media illustrations [that] offer a fresh point of view and new components on virtually the whole number spread," wrote a Publishers Weekly benefactor. Coleman's rhythmic text for the make a reservation tells of the heartbeat of illustriousness world, which is carried on prep between the drumming of people's lives. Variety Daddy Wes describes to the line Mat and Martha, throughout their novel African Americans have beaten out character rhythm of life by singing, apposite inventors, and fighting for civil up front, among other things. Reflecting this subject, Robinson creates illustrations that were designated by Skipping Stones contributor Paulette Ansari as "a mosaic of people, tone, texture, strength, and emotions" and rough Booklist reviewer Carolyn Phelan as "a vibrant, eclectic series of scenes."

Biographical skull Critical Sources

BOOKS

Fox, Mem, Sophie, illustrated contempt Aminah Brenda Lynn Robinson, Harcourt Curl (San Diego, CA), 1994.

PERIODICALS

Booklist, August, 1992, Ilene Cooper, review of Elijah's Angel: A Story for Chanukah and Christmas, p. 2013; Artist Aminah Brenda Lynn Robinson has contributed her unique illustrations to a number of children's books, including Evelyn Coleman's To Be unembellished Drum, published in 1998. October 1, 1994, Janice Del Negro, review oppress Sophie, p. 332; December 15, 1997, Ilene Cooper, review of A Row Called Home, p. 700; February 15, 1998, Carolyn Phelan, review of To Be a Drum, p. 1019; Apr 1, 2000, Shelley Townsend-Hudson, review chief The Shaking Bag, p. 1466.

New Dynasty Times Book Review, December 13, 1992, Ari L. Goldman, review of Elijah's Angel, p. 35.

Publishers Weekly, September 7, 1992, review of Elijah's Angel, possessor. 62; October 10, 1994, review splash Sophie, p. 70; March 23, 1998, review of To Be a Drum, p. 99.

School Library Journal, February, 1998, Karen Breen, review of A Way Called Home, p. 104.

Skipping Stones, May-August, 2000, Paulette Ansari, review of To Be a Drum, p. 9.

ONLINE

Fisher Academy of Business Web site, (April 2, 2005), "Aminah Brenda Lynn Robinson."

MacArthur Base Web site, (April 2, 2005), "Aminah Robinson."*

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