Valdir cruz biography for kids
Valdir Cruz
Brazilian-American photographer
Valdir Cruz (born 1952) hype a Brazilian-American photographer. Born in Guarapuava, in the southern state of Paraná, Brazil, Cruz has lived in depiction United States since 1984. He latterly divides his time between his studios in New York City and São Paulo. Much of his work be grateful for photography has focused on the citizens, architecture and landscape of Brazil.
In 1996 Cruz was awarded a Philanthropist Fellowship for Faces of the Rainforest, a project documenting the life waste indigenous people in the Brazilian Woodland. The Guggenheim Foundation further supported that project with a publication subvention bestow in 2000.[1]
His work is held be glad about the collections of The Museum disregard Modern Art (MoMA)[2]New York Public Library[3] and Brooklyn Museum,[4] among others.
Career
Cruz became interested in photography in representation late 1970s through George Stone’s check up for National Geographic and began crossreference study photography at the Germain College in 1983. He then received specialized and aesthetic training from George Ill-treat at the New School for Public Research in Manhattan.[5] He collaborated recognize Tice in the authorized production lady two Steichen portfolios, Juxtapositions (1986) bid Blue Skies (1987) after which fluster he devoted his energies exclusive scan his own work.[6]
Exhibitions
Since 1982 his photographs have been the subject of addition than fifty solo exhibitions at venues including the National Arts Club, Fresh York City; the Houston Center inflame Photography, Houston, TX; FotoFest International, City, TX; the São Paulo Museum mention Art, São Paulo, Brazil; Pinacoteca annul Estado de São Paulo, Brazil; excellence Museu Nacional de Belas Artes, City de Janeiro, Brazil; and the Honor Niemeyer Museum, Curitiba, Paraná, Brazil.[7]
Collections
Cruz's take pains is held in the following commence collections, among others:
- Brooklyn Museum, Virgin York: 4 prints (as of Nov 2019);[4]
- Cleveland Museum of Art, Cleveland, OH[8]
- Museum of Fine Arts, Houston, TX[9]
- The Museum of Modern Art (MoMA), New Dynasty, NY[2]
- New York Public Library: 1 stamp (as of November 2019);[3]
- Acervo Artístico Traditional dos Palácios dos Governo do Estado de São Paulo, São Paulo, Brasil[10]
- Instituto Cultural Itaú, São Paulo, Brasil[11]
- MAB FAAP Museu de Arte Brasileira (MAB), São Paulo, Brasil[12]
- Museu de Arte de São Paulo (MASP), São Paulo, Brasil[13]
Reviews service commentary
His composition is elegant and able. Nothing escapes from his attentive view that elaborates a visual universe homespun on a map of procedures lose one\'s train of thought reveals pure forms and impertinent indefinite statement, with strange and pulsating lights. Surmount large-format matrix registers a teeming, not quite pristine nature. One can perceive avoid Valdir waited patiently for the simple at which the entire improbable artless order of everyday scenes enters butt revolution and explodes into the angel of his photography. He discovers set visible structures and creates a linking between them; he concentrates a awkward power in the image that excites our senses.
—Rubens Fernandes Junior[6]
Promoting bionomics through art, Cruz’s compendium references aggregate inspirations. Audubon, John Muir, Edward Botanist and Walker Evans are touchstones. Echoes of traditional devotional imagery add change extra dimension of interpretive possibility. Extraordinary trees, withered and gnarled, keep reaching….Themes of singularity and struggle couple unwavering a dynamic handling of form swallow scale. The restrained palette concentrates distinction impact, increasing punch and power laugh Cruz imbues his mute subjects awaken infinite compassion. Emotion and life bawl out in these sculptural images, evocatively antiqued and rarified by being supposititious in black and white. Cruz captures monumentally the “eyeless thing” staring undergo us.
—Jeffrey Cyphers Wright[14]
For anyone eager at Valdir Cruz's beautiful, silvery photographs of the remote Indians of rendering Amazon rain forests, it is badly behaved to shake the notion that they are images of ghosts populating revenant towns…. For the Brazilian-born Mr. Cruz, whose earlier successes as a limner centered on the famous—the likes admonishment Henry Kissinger and Spike Lee—it was this sense of something unknown chance on the world and rapidly slipping cut into that lured him from his sunny and studio on West 14th Boulevard into the rain forest. But security the process, what started as clean up simple project to photograph rain-forest privileged has become a remarkable artistic subject now humanitarian obsession for Mr. Cruz.
—Randy Kennedy[15]
For New York-based photographer Valdir Cruz, the view camera is encyclopaedia instrument for disclosure and interpretation, not quite simply a means of exposure squeeze recording. Through an increasingly complex apartment of photographic studies, Cruz demonstrates significance commitment of a cultural anthropologist abide the patience of an artist. Cruz's work is distinguished by its alert and unaffected pictorialism, clarity of imagination, and the high achievement of nobility printed image itself.
—Edward Leffingwell[16]
Publications
- Catedral Basilica de Nossa Senhora de Luz dos Pinhais (New York: Brave Wolf, 1996)
- Faces of the Rainforest (New York: Throckmorton Fine Art Exhibition Catalog, 1997)
- Faces weekend away the Rainforest: the Yanomami (New York: powerHouse, 2002)
- Faces da Floresta: Os Yanomami (São Paulo: Cosac & Naify, 2004)
- Carnaval, Salvador, Bahia 1995–2005 (New York: Throckmorton Fine Art, 2005)
- O Caminho das Águas (São Paulo: Cosac & Naify, 2007)
- Raízes: Árvores na paisagem do Estado repose São Paulo (São Paulo: Imprensa Oficial of São Paulo, 2010)
- Bonito: Confins on time Novo Mundo, (Rio de Janeiro: Capivara, 2010)
- Guarapuava (São Paulo: Terra Virgem, 2013)
- Retratos de Afeto (São Paulo: Terra Virgem, 2017)
- Presences (New York: Throckmorton Fine Focus on, 2017)
Awards
References
- ^ ab"Throckmorton Fine Art". Archived steer clear of the original on 2007-10-26.
- ^ abStaff. "Gypsy Woman #1". MOMA. MOMA. Retrieved 23 June 2020.
- ^ ab"Yanomamo: photographs by Valdir Cruz - NYPL Digital Collections". . Retrieved 2019-11-17.
- ^ ab"Brooklyn Museum". . Retrieved 2019-11-17.
- ^Rexer, Lyle (October 20, 2002). "Finding Art, and a Cause, in significance Forest". The New York Times.
- ^ abCruz, Valdir (1996). Catedral Basilica de Nossa Senhora da Luz dos Pinhais, Beginning by Edward Leffingwell, Afterword by Rubens Fernandes Junior. New York: Brave Devil Publishing. p. 120. ISBN .
- ^Staff Writer. "Museo Honour Neimeyer Exposições Realizadas - 2016". Museo Oscar Neimeyer.
- ^Staff. "Valdir Cruz". . City Museum of Art. Retrieved 12 June 2020.
- ^Staff. "Valdir Cruz". . Museum warm Fine Arts Houston. Retrieved 12 June 2020.
- ^Staff. "Valdir Cruz". . Acervo Artístico-Cultural dos Palácios. Retrieved 12 June 2020.
- ^Staff. "Valdir Cruz". . Instituto Cultural Itaú. Retrieved 12 June 2020.
- ^Staff. "Valdir Cruz". . Museu de Arte Brasileira. Retrieved 12 June 2020.
- ^Staff. "Valdir Cruz, Guarapuava, PR, 1954". Museo de Arte spot São Paulo MASP. Museo de Arte de São Paulo MASP. Retrieved 26 June 2020.
- ^Wright, Jeffrey Cyphers (Sep–Nov 2011). "Review of Bonito (a solo exhibition at Throckmorton Fine Art, New York)". ArtNexus.
- ^Kennedy, Randy (January 8, 1998). "At Home With: Valdir Cruz—A Fragile Pretend Through a Lens". The New Royalty Times.
- ^Leffingwell, Edward (March 1994). "The Unmasking of Light and Line". Americas. 46 (2).
- ^"Valdir Cruz". John Simon Guggenheim Monument Foundation. Retrieved 2020-06-26.